Gossip Central

John C. Reilly and Steve Coogan in Stan & Ollie: Do You Like My Hat?

Reviving the classic antics of the premiere comedy duo of the 1930’s is no joke. A new movie, Stan & Ollie, features performances by John C. Reilly and Steve Coogan, based on the final tour of the very lean Stan Laurel and the very large Oliver Hardy, as their fame declined. With a script by Jeff Pope and under the fine direction of Jon S. Baird, the comic team comes live, a testament to the talents of this cast. New audiences will be introduced to a historic moment in entertainment, the visual gags and simplicity of the time. Audiences for whom Laurel & Hardy were childhood staples will delight at the laughs, and will be moved by the underside of their hilarity, the resilience of their friendship, the challenges of maintaining celebrity.

Rami Malek in Bohemian Rhapsody and Three Great Actresses in The Favourite: It’s Good to be Queen

“I don’t sing. I never touched a piano,” Rami Malek told filmmakers at his audition for Bohemian Rhapsody. That did not stop him from incarnating Freddie Mercury, Queen’s frontman until he died of AIDS, in a role that just earned Malek a Golden Globe nomination for Best Actor in a Drama and may be a prelude to an Oscar nod.

At a luncheon at the Russian Tea Room this week celebrating his achievement in Bohemian Rhapsody members of the academy praised his performance as he explained how he managed to electrify the screen. To get the right moves and music, he got Eddie Redmayne’s movement coach, and then he watched Mercury and danced around at home for a year. “When Brian May of Queen was on set, I did my best version of Freddie. I was working on him so long, I fell in love with him,” Malek gushed. “I keep blowing him kisses.”

Glenn Close Honored at the Museum of the Moving Image Gala: “With One Look”

It was the lustful look as Glenn Close’s character locked eyes with Michael Douglas at dinner in the clip from the unforgettable Fatal Attraction that was truly the show stopper at the 583 Park Avenue party space where The Museum of the Moving Image held their gala honoring Close’s extraordinary career on stage and screen this week. Everyone knows what follows, from the boiled rabbit to the bathtub in this game changer for cinema history, and if this were the only movie Close ever did, the only role she ever occupied, it would distinguish her legacy. Add to that her Cruella DeVille in 101 Dalmations, her Norma Desmond from Sunset Boulevard recently revived on Broadway, and her role opposite the formidable Jonathan Pryce in her current movie, The Wife. Her demeanor can morph in a moment, paced meticulously as you measure her emotion. You may even gasp, breathless.

Season Two of The Marvelous Mrs. Maisel Premieres: Nostalgia in Pink

Spoiler alert: At Season Two’s start of The Marvelous Mrs. Maisel, Mrs. Maisel’s marriage is still in turmoil. Everyone glued to this thoroughly entertaining Amazon Prime series is familiar with the domestic impasse, a source of angst for the couple, and humor for everyone else. Why can’t two people deeply in love be together?

As episode 1 of The Marvelous Mrs. Maisel opens, our heroine, the divine Rachel Brosnahan, forced to take odd jobs, answers phones at one of those switchboards, moving about on a swivel chair. Think Judy Holliday in Bells Are Ringing. And then she is summoned home. Before you can say Ooh La La, our Midge is in Paris with her dad, the amazing Tony Shaloub, for some perfectly pitched father-daughter banter, and neither one knows French. Ever resourceful, Midge manages to do her act even there, finding an expat New Yorker at a drag show to translate her weepy story of failed marriage. Get ready to sob in hysteria.

The Illusionists: Magic of the Holidays at the Marriott Marquis on Broadway: A Review

On the expansive stage of Broadway’s Marquis Theater, a new production of The Illusionists does the near impossible, bringing the intimacy of close up magic to a big 1444-seat house. Eschewing the larger escapist tricks, or cutting a woman in two, or turning a mouse into an elephant, the show keeps the magic magical by making its intimacy large. Featuring Shin Lim as “the Manipulator,” the show gives simple card tricks a new allure. Able to baffle Penn & Teller twice on their show, this recent “America’s Got Talent” champion mesmerizes with his ability to find your card in more and more seemingly impossible situations; where there’s smoke, he can make an entire deck disappear.

Isaac Mizrahi: Peter and the Wolf at the Guggenheim

Prokoviev’s classic Peter and the Wolf is reimagined in a snazzy reboot at the Guggenheim Museum, an ingenious recreation from Isaac Mizrahi. The fashion designer cum cabaret performer has worked costuming for theater for decades, and for the Guggenheim’s program of Works and Process the Peter and the Wolf story is set, where else, but in the neighborhood, in Central Park.

Gotham Awards: Showing Up is its Own Reward

Traditionally, the IFP Gotham Awards kicks off the film season’s tributes. As celebrations go, this decidedly downtown dinner brings together New York’s movie making elite while honoring films in Oscar-like categories. A balcony at Cipriani Wall Street becomes a giant schmooze fest, a meet and greet for many before the big events in Los Angeles, before the night’s filet mignon is served, and while the nominees for Best Actor, Feature, etc. continue to be hopeful. There, Ethan Hawke pontificated about Claire Denis and how she should receive a Gotham. We could not praise him enough for his movie Blaze, one that he directed about a music legend. That was before he took home a Best Actor statue for his performance in Paul Schrader’s First Reformed, and Schrader received his for Best Screenplay. But the night was young.

Elaine May in The Waverly Gallery: Aging With Dignity and Laughs

There’s a sweet hotel on Waverly, on the north side of Washington Square Park that could be the prototype of Kenneth Lonergan’s play The Waverly Gallery at the Golden Theater. Even if that’s not the spot where Gladys, a remarkable Elaine May, runs an art gallery that does not seem to make much for the owner or the artists, it could be. This funny, real as the table you can touch drama, trades on the familiarity of places and people: Ellen, Gladys’ beleaguered daughter (an excellent Joan Allen), her husband (a fine David Cromer); and two young actors, bookends of each other: Don, an artist (Michael Cera) and Gladys’ grandson Daniel (Lucas Hedges in his Broadway debut), the IT boy in such films as last year’s Lady Bird, and this year’s Mid-90’s and Boy Erased, taking over from Cera, a prior IT boy.

A Chorus Line: A Singular Sensation at New York City Center

New York City Center celebrated its 75^th year with a performance of the iconic A Chorus Line followed by dinner at the Plaza Hotel. Back in 1975 when it first hit the stage at the Public Theater, A Chorus Line was a game changer of a musical. Scripted from taped interviews with theatrical types: singers and dancers, the book, written by Michael Bennett, collaborating with lyricist Ed Kleban, with music by Marvin Hamlisch—well, this was the winning dream team that made A Chorus Line the Hamilton-scale hit of its day. Re-visioned now 43 years later for this one-week engagement, the musical feels fresh, and simply fabulous.

Variety and The History Channel Host the Second Annual Salute to Service: Honoring Those Who Stand Up

“Thank you for your service is not enough,” said Montel Williams, a US Navy veteran, who also said, “I promised not to cry” as he accepted his award at the 2^nd annual Salute to Service luncheon hosted by Variety and The History Channel at Cipriani 25 Broadway. Ken Fisher, a friend who had accompanied Williams to Dover to meet with Gold Star families, introduced him as a “veteran’s veteran.” Having recently suffered a massive stroke, Williams showed up anyway, for veterans, and was teary-eyed reminding everyone to do more. They may be home, he said, but “their service is not over.”