Gossip Central

The Edge of Democracy: Contenders at MoMA/ DOCNYC

Amidst the shit storm of impeachment inquiry of the president Spike Lee calls “Agent Orange,” noting heavy toxins, the documentary The Edge of Democracy tells a political history set in Brazil, juxtaposed with the personal story of the director Petra Costa’s family. This relentless political drama can be seen as a cautionary tale, or just a grim look at what our world endures today as lies gain stature, dignity falls away, and everywhere, the people lose. At a special screening at MoMA, part of the current Contenders series auguring awards ahead, Lee introduced the film to a packed crowd. Most chilling in Brazil’s case, deposed officials refused to step down claiming corruption, the equivalent of “fake news.”

Dark Waters: Todd Haynes’ Drama of Dirty Industry

Out of the blue comes Dark Waters, Todd Haynes’ new film based on his star, Mark Ruffalo’s environmental passions. Fear of the water depicted in this legal procedural is not because of sharks, but because of industry, specifically the story of Dupont’s deliberate poisoning of landfill resulting in the death of animals and cancer in humans. The film did not take the conventional festival circuit, and, unlike the saturated colors of  movies Carol or Mildred Pierce, takes director Haynes into a dark mood and commercial genre; he handles it well crafting drama from a ripped from-the-headlines scandal, focusing on the tireless efforts of a corporate lawyer, Rob Bilott, whose firm sides with industry.

Meeting up with Bilett at the Lincoln Restaurant this week, at the movie’s premiere, we learned how the story is not yet over, with lawsuits accruing beyond the film’s final frame. But, as the film suggests, is it too late? The lethal chemical was also an ingredient of Teflon, a household brand, and everyone alive has ingested some amount.

Critics’ Choice Documentary Awards: Let the Prize Season Begin!

Longtime documentarian Frederick Wiseman was on a roll. First celebrated this week as a NYPL Literary Lion, he was then honored with the Critics’ Choice Documentary Lifetime Achievement Award redubbed for the late D. A. Pennebaker. With this renaming, Chris Hegedus, Pennebaker’s film and life partner for 43 years presented the statue to Frederick Wiseman noting his achievement in avoiding the usual devices such as voiceovers and talking heads, just turning his lens on a subject. And Wiseman especially admired Pennebaker: “He had fun making movies, and so do I.”

No one seemed to be having more fun at BRIC than pint-sized sex therapist Dr. Ruth Westheimer, the subject of this year’s documentary, Ask Dr. Ruth. “I’m presenting shorts,” she announced proudly. “Even if that is because I’m short, just remember, size does not matter.”

The New York Public Library’s Literary Lions Gala by the Book

A bookish night at the New York Public Library, the Literary Lions gala celebrates writers. Charlie Rose attended, and was ensconced in conversation as pigs in blankets were passed. Jean Doumanian confessed to hating long cocktail hours, but the gabfest went on for a while. Writers do have stories. Julie Taymor is finishing her film on Gloria Steinem, and Gay Talese, ever the dapper gadabout, said he went out to screenings and book events galore, even stepping out to a pub to watch television, if nothing else was on his social calendar.

Niccolo Paganini’s Violins and a Night of Pink Martini

Stradivarius comes to mind when you think of special violins, but Niccolo Paganini preferred the strings of Guarneri Del Gesu. This week, in honor of the virtuoso’s 237^th birthday, his ancestor Maria Elena Paganini orchestrated a huge celebration, ushered in with cocktails at Ascent Lounge overlooking Central Park featuring a performance by some extraordinary players, music director Edmond Fokker van Crayestein, Elly Suh, Kevin Zhu, Sabrina-Vivian Hopcker, and followed by a spectacular concert at Carnegie Hall. But the violins were the special guests, each one valued at roughly $10 million. Undaunted by their luxe value, the violinists took their instruments in stride: “They must be played.”

Me Too, Megyn Kelly, and Bombshell

The women in the Roger Ailes story are fierce, ambitious blonds, at least those in the forefront of the movie Bombshell, a truthful account of the demise of the Fox News CEO: Truthful, because, at a recent screening of Bombshell, many close to the story of how Gretchen Carlson refused to compromise in her lawsuit against Ailes cheered at the recognition of the scandal depicted just the way they remembered it.

The Cave: What Will Happen to Syria?

The stakes could not be higher in Feras Fayyad’s relentless documentary The Cave. Set in an underground hospital on the outskirts of Damascus, the sounds of classical music juxtaposed with the thunder of bombs give you the yin and yang of experience in Syria under siege, the forces of life competing with those of death. With Dr. Amani Ballour in charge, a young woman with nerves of steel who must face evil as well as the distrust of men in a culture where a mother who cannot feed her children fears the societal norms that prevent her from taking a job more than imminent death, “the cave” becomes a last refuge of humanity. Speaking about his focus on women in this culture, the director becomes tearful thinking about his mother. This week at the movie’s premiere at the Walter Reade theater, he sat between his producers, Sigrid Dyekjaer and Kirstine Barfod from a Copenhagen based production company, and spoke about the horrors faced in his country, worsened in the last week with the American pull out of troops: he admitted for the first time that his mother was a Kurd.

Brian De Palma Receives the Hamptons International Film Festival Lifetime Achievement Award

Putting a new spin on Hitchcock, no one does horror with the class of Brian De Palma. At the Hamptons International Film Festival this weekend, the man who gave us Dressed to Kill, Scarface, and The Untouchables, among other classics of American cinema, sat for a conversation with Alec Baldwin, an actor who has worked with many a director and could add his observations, anecdotes, and impersonations to liven up a discussion with a master about such topics as the choice of D.P. for various films. As a result, Baldwin’s comments come to the fore, and De Palma’s extensive career was elicited in waves. No matter, that was the best way to do it, said Piper De Palma, the director’s daughter, named after the actress Piper Laurie (so sinister as the mother in Carrie) who presented her father with the crystal award for Lifetime Achievement.

It’s Time to End Lyme: Global Lyme Alliance Gala at Cipriani 42nd Street

A glamorous crowd packed Cipriani 42^nd Street for the fifth annual Global Lyme Alliance gala: sparkly gowns and tuxes for a stellar event put together by the incomparable Larry Scott. Hosted by Rosanna Scotto, the benefit, to end the insidious Lyme epidemic, featured speeches from Lyme survivors and performances by a Big Apple Circus juggler who did amazing work with pink umbrellas, and by Tootsie Tony winner Santino Fontana accompanied by newcomer Ashley Kobre, a graduating senior from NYU’s Tisch School of the Arts, singing “I’m So Pretty” from Cinderella.

Adam Driver and Scarlett Johansson in Marriage Story at the New York Film Festival: Breaking Up is Hard to Do

Director Noah Baumbach knows from divorce, and has made films that have illuminated sides of that subject throughout his career. His 2005 Squid and the Whale comes to mind, and the family in The Meyerowitz Stories (2017) is riddled with marital fragility, and resilience. Each hews close to the director’s family background. Baumbach’s new film, Marriage Story, seems most immediately to be informed by his own real-life divorce from Jennifer Jason Leigh in that we are looking at a couple of charming, good looking, articulate artists, with the superb actors Adam Driver and Scarlett Johansson in the leads, but look again. The writing takes it somewhere else. At a press conference following a New York Film Festival screening this week, Baumbach claimed to want to tell a love story in a different way: “Sometimes you can see it more when it comes apart.”