Are designers merely modest or timid? After the shows, where a half year's hard work is paraded in front of celebrities, photographers, Bloomingdale's buyers, etc., the custom is to venture out for a nanosecond, air kiss the applauding crowd, and quickly retreat behind a curtain. Betsey Johnson is of course an exception with her signature runway cartwheel, and Maggie Norris simply entertained off site with her model Keira Chaplin (yes that's Charlie's granddaughter) prefiguring the red dress debut inside the tents the next morning featuring surprise model Laura Bush. But what about Joanna Mastroianni, Charlotte Ronson, Lela Rose, Erica Davies of Development, whose exceptional shows were the highlight of my fashion week? How do they remain demure after displaying their gorgeous wares? Memorable were Mastroianni's Morocco inspired lapis/alabaster embroidered silk organza hooded robe, pomegranate strapless dress with fan bodice and asymmetric hemline, and black lacquered silk “croc” used on a number of ultra chic ensembles.
Eschewing that Ozian don't pay attention to the man behind the curtain, you can count on the Blonds, Phillipe and David to take the catwalk. 
That's because their show defines drama. Fashionistas Patrick McDonald and Kenny Kenny supplied high wattage from the front row, both impeccably accoutred for the occasion, Patrick in what I could describe as embellished fox hound hunter and Kenny in a jacket that looked like vintage Thierry Mugler accessorized with black rabbit ears cocked to the side just so. No, he told me, the jacket came from a former Marc Jacobs designer. The Blond's collection went from black lipsticked monster haired women in leather spiked corsets encrusted with Swarovski crystal to bare gloss lipped fairy goddesses in blond tresses in white silk chiffon with ostrich and pearl detail. “Le Blond Angels” mugged in pink, canary, and turquoise sequined jumpers. But nothing, not even the Barbie corset dress with blue fox Marlene coat could not top the Blonds themselves walking the walk--Phillipe especially styled as Gwen Stefani. Illustrator Robert W. Richards whispered, “It takes a special woman to wear these clothes,” to which I replied with an eye on Patrick and Kenny seated in front of us. “No, it takes a special man.”
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