Members of the Motion Picture Academy assure me, financial success, even the overwhelming Avatar billions, is no criteria for Best Picture Oscar. We have seen the Avatar story in many incarnations in various genres, and The Hurt Locker has a fresh narrative strategy. Awesome as Avatar is, I don't see it as Best Picture over the tighter, more thrilling achievement of The Hurt Locker.
This is not to limit the race to these contenders, but as discussed on Charlie Rose's excellent panel on Tuesday night: Annette Insdorf, Stephanie Zacharek, Dana Stevens, and A.O. Scott, a dark horse may exist in one of the other eight fine nominees, but really, these two movies define the award season race.
And ditto for Best Director. The well deserving Kathryn Bigelow should get the statue on the merit of the work, and, if history is made, so be it.
Precious based on Sapphire's Push may also present an opportunity for historic moment. As Dana Stevens put it, she felt “bludgeoned” by this movie. And yes, the performances are so good, you could feel for Precious, and surprisingly, her abusive mother too.
Without selecting one to knock off the list, I liked C more than most critics. I never understood the negative take on this highly entertaining movie. Compare it to 8 1/2. Remember Marcello, a colleague pointed out, look at the humor he brought to the Fellini film on which the show Nine and now the movie was based. True, Daniel Day Lewis as Guido is strong in suffering, a bold brooder, sexy in suits, yet short on comedy. Still. His work block seems especially real.
Inglourious Basterds deserves a category all its own for subversive humor and Tarantino's passionate, outsized, wicked and witty imagination. Best Live Action Cartoon.
The Blind Side and personal faves: A Serious Man and An Education. The animated Up may be one of the best movies I've ever seen on an airplane, and speaking of airplanes, Up in the Air is the kind of smart movie that is superbly attuned to the Zeitgeist. Best Picture for any of these? Hmm.
But one member of the academy cautioned me to avoid assumptions: “The Academy doesn't think like anyone else. You may be surprised.”
To be continued.
According to me the Academy would have a lot to gain by awarding the Best Director to Kathryn Bigelow and I’m willing to bet that they will...
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