JR, French graffiti artist and Agnes Varda collaborator on Faces, Places is infectious. His virus, a matchless enthusiasm for the creation of art, is impossible to describe: his energy is a force. Burroughs/Gysin had their Third Mind, Ouevres Croissees in French, a roadmap to artistic creation through collaboration, and JR inherits their spirit along with Varda’s. In his new documentary, Paper and Glue, he takes us to the US/Mexican wall, a California prison, the banlieu of Paris, favela of Rio, places we would never think to want to see. Infusing them with his je ne sais quoi, voila, they become the only places that matter, sites with superstars among the disenfranchised, the movie’s inscription from Varda: “If we opened people up, we’d find landscape.
His pal Bradley Cooper introduced the nomadic JR at the MoMA premiere this week, hosted by MSNBC whose filmmaking arm funded the film. Cooper, a bona fide movie star in awe, seemed happy to just to be in JR’s posse, a growing populace of fans and volunteers helping to build his outrageous installations. At the wall—yes that wall—someone even jokes about who is going to pay for it--JR erected a structure to paste a giant-sized photo of a small Mexican boy, waiting for the authorities to shut him down. Instead, they arrived and shared tacos. That’s just what you want to do with the irresistible JR. “Kevin,” a prison inmate sporting a swastika tattoo on his cheek, calls collect and JR picks up wherever he is. He sends Kevin a signed copy of Art Spiegelman’s Maus. Now, the prison system provides a tattoo removing system.
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