The heart of the dazzling revival of Ragtime at Bay Street Theater is Mother, a character of enormous compassion. As played by Lora Lee Gayer, she’s a lovely presence who saves an abandoned black baby and his mother Sarah (Kyrie Courter), and navigates her well-to-do New Rochelle family through the vagaries and scandals of early 20th century American life. Mother is part of an ensemble with talented actors performing the roles of Harry Houdini, Emma Goldman (Victoria Huston-Elem), Evelyn Nesbit (Cathryn Wake) and Booker T. Washington (Davon Williams), to name just a few of the famous personages populating E. L. Doctorow’s historic novel Ragtime, the musical’s epic source. Limning the current cultural territory of “Black Lives Matter,” the plight of the working class, and of newly arrived immigrants, Bay Street’s production seems especially fresh from beginning to teary-eyed end. Mother singing, “We Can Never Go Back to Before,” becomes an anthem for change-- in her marriage, and to the hopes and dreams of Americans—such as the play’s Coalhouse (Derrick Davis) seeking equality, justice, and democratic values.
At Ragtime’s ebullient opening night, the audience leapt to their feet as the ensemble took their bows. Of course, it seemed to all that Ragtime’s intertwining stories were timeless, with love and compassion the only curing force. With music by Stephen Flaherty, lyrics by Lynn Ahrens, book by Terrence McNally, and under Will Pomerantz’ expert direction, Ragtime underscores—no pun intended: the power of a great night of theater holds its own curing magic.
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