Gossip Central

David O. Russell’s Amsterdam Premieres

“I’ve gone epic,” exuded the director David O. Russell at the lavish premiere of this movie Amsterdam at Alice Tully Hall this week. Epic and a surprise, Drake, one of the producers, introduced the screening. Epic might also refer to the scope of the film, set in World War I, the so-called Great War, The War to End All Wars. Or epic could refer to his characters, fictional representations of historic or quasi-historic figures performed by an epic cast: Christian Bale, Margot Robbie, John David Washington, the two Mikes, Myers and Shannon, Alessandro Nivola, Matthias Schoenaerts, Rami Malek, Anya Taylor-Joy, Timothy Olyphant, Taylor Swift—yes, that Taylor Swift, and Robert De Niro, many of whom joined Russell in a post screening Q&A with Ben Stiller. Of course, Ben Stiller being Ben Stiller, his first question was: wasn’t Flirting with Disaster—in which he had starred-- your favorite film? 

Everyone got the joke, warmed up by having seen the new film, Amsterdam. History-based, it is also funny. Turns out, David O. Russell loves history, and over the past six years enlisted Bale and Robbie to help him write a script unearthing little known events involving war, espionage, exploitative leaders of finance and industry, democracy, and all matters on the idea of history repeating itself. Rami Malek said that making this film with David O. Russell made him think of that saying in a less negative way, not so much doomed, as the values of love, friendship, and optimism prevail, also repeating themselves.

At the Hamptons International Film Festival: Desperate Souls, Dark City, and the Legend of Midnight Cowboy

Entering its 4^th decade, the upcoming Hamptons International Film Festival features an impressive slate of offerings: Empire of Light, The Son, My Policeman, The Banshees of Inisherin, to name just a few that have wowed audiences at Toronto and other festivals. One documentary that premiered in Venice and played in Telluride is coming too: Nancy Buirski’s Desperate Souls, Dark City, and the Legend of Midnight Cowboy. 

Inspired by Glenn Frankel’s book, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, Buirski had the idea to make a film focused on Midnight Cowboy’s “moment,” asking, what has made this 1969 film about two unlikely outcasts, adrift in NYC, so memorable and so life-changing to many viewers?

Lea Michele in Funny Girl: Hello Gorgeous!

 

At the August Wilson Theater last night, Gleeks and theater geeks gathered for the re-opening of Funny Girl, that classic 1964 Broadway musical so identified with its original star, it was a challenge to find the right actress to make it new. The new production’s first night for the cast change, featuring Lea Michele as Fanny Brice and Tovah Feldshuh as her mother, was such a major event, fans flew in from across America, some paying more than your usual markup, just to see the star of Glee work her ample chops around the performance originated by Barbra Streisand. It may take a star of the small screen to create such excitement, but with long, standing ovations rewarding a cast that now rocks, delivering as well as having the time of their lives, Funny Girl feels just right.

You have to believe that Fanny, a “mieskeit,” from Brooklyn, an ugly duckling, can capture the attention of Nicky Arnstein, a famous player and heartthrob. Can such a handsome guy fall for a “funny girl?” You bet. The chemistry between Michele and Ramin Karimloo made the audience swoon and leap to its feet. The mother, as in one number, “Who Taught Her Everything She Knows?” should appear to know a thing or two. That person is Tovah Feldshuh, a Jewish mother who supports her awkward daughter, having been around the block herself, and remarkably for a Jewish mother, doesn’t mess with her marriage. The adorable Feldshuh shimmies and taps, and with a mere shrug and eye roll, has the audience in stitches.