Director/ Producer/ Co-writer/ Star Bradley Cooper introduced a special concert at the newly refurbished Geffen Hall, featuring the NY Philharmonic performing Leonard Bernstein’s music for his film MAESTRO. That his subject Leonard Bernstein had begun his career in this very place, conducting the Philharmonic at age 25, gave the evening extra resonance. Fervidly researching, Cooper was said to have attended many a performance in the past five years, seated in the conductor’s box hanging dangerously over the rail, in rapt attention to the feverish body movements needed for conducting. His devotion extended to every aspect of the film, and it shows. Now after MAESTRO’s many awards and nominations, the night’s focus turned to the Philharmonic’s star conductor Yannick Nezet-Seguin, the ample stage packed with musicians, the soloists, and the 50-member chorus. Now a hero to classical musicians everywhere, Bradley Cooper put them in the spotlight. And shine they did.
In Cooper’s hands, glimpses of Bernstein’s musical genius pervade the film. Key scenes were projected over the live performances. The Requiem in St. John the Divine is the longest musical interlude, showing Cooper completely following in Bernstein’s conductor chops. As noted later in the Q&A, performers who had worked with Bernstein actually imagined him back in action. That’s how authentic Bradley Cooper seemed to them.
Unlike Felicia, Carey Mulligan did not, but, having met Cooper at Lincoln Center some years before, she was persuaded to take the deep dive
Comments