Gossip Central

Rob Reiner, Visiting the Hamptons, Reads Mr. T at Celebrity Autobiography

Photo: Roger Friedman

Rob Reiner was the surprise guest at Guild Hall for Celebrity Autobiography, a riotous show based on a single conceit. It’s not that the lives of celebrities are merely a hoot, but that read aloud, the unintentional humor is mind-blowing. Case in point, Tiger Woods’ sexual innuendo describing his golf strategies in Tiger Woods: The Making of a Champion. Or Reiner as Arnold Schwartzenegger’s dialogues with himself, emboldening the workings of an already outsized ego, or Joe Namath’s obsession with his hair, in Alan Zweibel’s voice. When performed onstage for an audience by first class actors, the results are laugh out loud good. That is the engine that fuels Celebrity Autobiography, a hit every year on and off Broadway, and at Guild Hall. The brainchild of playwright/actor Eugene Pack, who, upon reading Vanna Speaks, producer Merv Griffith’s miraculously talented letter turner on Wheel of Fortune, discovered that describing in detail what it is that Vanna White brings to the game, is its own game. And so he had Lewis Black reading White.

Ugo Rondinone at Guild Hall: Here Comes the Sun

Come out of the dark: Ugo Rondinone’s work at Guild Hall lifts us in radiant shots of sunlight. In the two large gallery spaces the walls are bare, lit by fluorescen fixtures. You might be mistaken to think you are in Walmart under this austere light, but the effect on the art is, well, looking in full sun, stunning. In one gallery, a series of graphic yet shimmering circles in gold and yellow are juxtaposed with Guild Hall’s regal space. In another gallery, large hoops made of twigs work as frames, and the few hung on the wall with nails suggest Christ’s crown of thorns, a beatific sight. In a third gallery, hung shingle style, are hundreds of children’s drawings of the sun, some in blazing color. Everywhere at Guild Hall, the suggestion of hope offers a glimpse of a better future.

Elvis in Vegas: The King Graces a Surreal City in the Sixties

In Sagaponack, the house Richard Zoglin shared with his late wife Charla Krupp sits nestled on wooded grounds: immaculate, swimming pool, antique adorned, just the way she, a style editor for Glamour and In Style Magazine, left it. By contrast, the subject of Zoglin’s new book, Elvis in Vegas: How the King Reinvented the Las Vegas Show, which tells “The King’s” story in transforming Las Vegas entertainment, is as much about the place itself in all its tawdry madness: a culmination of Zoglin’s work in his last two books, Comedy at the Edge: How Stand-Up in the ‘70’s Changed America, and Hope: Entertainer of the Century, taken together, his books form a trilogy in the history of American entertainment, well researched and themselves well, highly entertaining.

Rolling Thunder Revue on Netflix, and More: Allen Ginsberg Never Gets Old

Just before his death in 1997, Allen Ginsberg wrote to President Bill Clinton advising him that just in case he was going to name an American poet laureate, this would be a good time to honor him. As we know, that never happened. But look around: Allen, over 20 years after his death, is everywhere. In Martin Scorsese’s documentary of Bob Dylan’s tour, Rolling Thunder Revue on Netflix, the poet is named “The Oracle at Delphi,” giving him some classic, other-worldly stature. Seated Buddha-style he lends a religious benediction to a rock and roll tour that features Joan Baez, Joni Mitchell, Patti Smith, Sam Shepard, Anne Waldman, Ronnie Blakely, and others. Dylan’s great music is of course the star, but Allen exercises his chops. A highlight of the tour that starts in 1975 is a visit to fellow poet Jack Kerouac’s grave, near his birth home in Lowell, Massachusetts. Only recently dead since 1969, Kerouac may have enjoyed Ginsberg and Dylan cavorting and reciting from “Mexico City Blues” and otherwise paying homage to the dead beat.

Carla Hall Bucks Food Trends: Stirring the Pot with Florence Fabricant

Carla Hall is all about cooking with love. Sharing her food notes and anecdotes with Florence Fabricant at Guild Hall’s popular series, “Stirring the Pot,” the two foodies could not agree more about the limiting nature of food trends. For example, who says that beets must always be served with goat cheese? Duh. Well someone decades ago made that combo a standard and now diners expect that. Cooking with love is way more intuitive about what can go with what, and what is fresh and available.

Authors Night’s Brainfood: Shucked Oysters and Real Books

  

This Authors Night featured its signature mix of celebrity and well established authors, such as Jules Feiffer, Geraldo Rivera, Robert Caro, Dr. Ruth Westheimer, Patricia Bosworth, A. M. Holmes, Lee Child, with first time authors such as Elizabeth Flock who researched five marriages in Mumbai for her novel, The Heart is a Shifting Sea. Hilaria Baldwin sat beside her husband with her book, The Living Clearly Method, claiming it had already made the popular benefit last year, but Alec Baldwin insisted. Of course you could not get near their table. His new book provocatively titled, You Can’t Spell America Without Me, with a photograph of him as Donald Trump gracing the cover, was selling like proverbial hotcakes, huge piles set before him dwindling down rapidly. He gamely brought Michael Lally this year, and had him sit cattycorner to them, at every chance hawking the poet’s book, Another Way to Play: Poems 1960-2017.

Glenn Close Gets Her Closeup: The Wife

When best-selling author Meg Wolitzer wrote her novel, The Wife (2003), she could not have imagined its current feminist resonance, nor the movie of the book, The Wife, soon to be released starring Glenn Close. The wife of a celebrated novelist as he is awarded the Nobel Prize for literature, Close's Joan Castleman is demure, even restrained as she seethes with resentment at her husband's narcissism. Some men, it seems, believe their lies--mostly, the ones about themselves and their own powers. And Close as the wife, takes it, her affect perfect explosion-under-composure, like her Norma Desmond, until the façade cracks, unlike Desmond's deluded Sunset Boulevard soul. Ever the wife, she reels it back.

Arthur Miller: Writer, A Documentary Directed by his Daughter, Rebecca Miller

Back in the day, Rose Styron, the writer and wife of William Styron, recounted the story of an American delegation of authors visiting Rio, among them her friend the playwright Arthur Miller. Local headlines focused on Miller, the husband of Marilyn Monroe. In this rich documentary of her father, Rebecca Miller addresses the matter of her father’s second and most famous wife, but told John Guare in a post-screening conversation at MoMA, this was really not discussed in their family life, except for the random anecdote. The daughter of Miller and his third wife, photographer Inge Morath, Rebecca Miller interviewed her father for the last 25 years of his life—he died in 2002-- with Ellen Kuras filming, and then was in post-production for another eight, to make Arthur Miller: Writer, to air on HBO next week.

Waiting for Alec Baldwin at the Guild Hall Gala

Yes, G. E. Smith previewed Guild Hall’s first annual guitar masters festival, to take place in July, but that was not the only music at this year’s winter celebration of Guild Hall. Honored for her career in the visual arts, Audrey Flack, brought her History of Art band to The Rainbow Room to perform her tribute to Jackson Pollock on banjo and spoons. Her feminist take on the iconic painter dovetails with the current Me Too movement, and as she is quick to tell you, “he came on but nothing happened. He was way too drunk.”

Screaming with Laurie Anderson at Guild Hall

In honor of Yoko Ono’s birthday this weekend, Laurie Anderson led guests at Guild Hall in a face-reddening scream. The occasion was a talk between Anderson, who now looks remarkably like Christopher Walken with spiky hair and otherworldly pallor, and curator Christina Strassfield, who is putting together a show of Anderson’s work at Guild Hall set for this summer. Among the many stories that kept Anderson riffing for over an hour, was the story of Ono’s primal scream following the election of Donald Trump. The audience complied and screamed with relish.