Gossip Central

Oscar Nods: Sharing and Sparing the Love

When the category of Best Picture swells to nine, you can be sure that your favorites will be covered. Throughout “the season,” prognosticators haggled --with one another and themselves-- over the supremacy of The Shape of Water over Three Billboards outside Ebbing, Missouri, Lady Bird over Get Out, Dunkirk over The Darkest Hour. An excellent solution is to award every one of them, and with the lineup announced today, every one of them gets the prize for showing up. But, it is safe to say, as one Academy member has reminded me year after year, this award is like no other. And so, I would like to think there is still mystery afoot for the winner, even though I am pretty sure of which are the real contenders on this awesome list, and which one will get the prize.

Lance Armstrong on Doping: Icarus

The evening was not unusual. Just a screening of a documentary, Icarus, for a roomful of leading documentarians: Academy Award winning ones like Alex Gibney and Barbara Kopple among many others, for purposes of Oscar nominations. The unusual part was having Lance Armstrong participate in the post-screening panel at 1 Hotel Brooklyn Bridge. The movie, Netflix’s powerful expose of doping among Olympian athletes, directed by Bryan Fogel and produced by Dan Cogan shines a light on Lance Armstrong’s scandalous use of drugs during his stellar award-laden cycling career. You would think he would shy away, ashamed. But the film’s main protagonist, a Russian scientist named Grigory Rodchenkov, now in hiding as the Russians have called for his execution, was the real focus of attention. A whistleblower, Rodchenkov created the testing for steroids, as well as a method to defy the testing for them. He was willing to talk to Bryan Fogel about state sponsored doping.

From Saoirse Ronan to Tiffany Haddish: Girl Power at the New York Film Critics Circle Award

No one had to complain about anyone’s misconduct, not sexual anyway, at last night’s New York Film Critics Circle Awards dinner at Tao in the meatpacking. Every honoree, including the great Molly Haskell who picked up the group’s Special Career Achievement Award for her lifetime of serious reviewing, actresses Saoirse Ronan and Tiffany Haddish, and the men, as in Willem Dafoe who was awarded Best Supporting Actor for his motel landlord role in The Florida Project or Timothee Chalamet who got his Best Actor for his star turn in Call Me By Your Name exuded the confidence of a job well done. At 22, Chalamet has three significant roles this season: aside from starring with Armie Hammer in CMBYN, he’s killed off early in Hostiles, and he thanked Greta Gerwig, winner for Best Picture last night, recounting a scene in a bar where someone noticed him, “Hey, isn’t that the douchebag from Lady Bird?” He loved the recognition.

Tina Fey and Don Katz Honored at the New York Stage and Film Winter Gala

Comedian Tina Fey and Don Katz founder and CEO of Audible, Inc. were honored by New York Stage and Film at their winter gala this week. Attending the dinner at Pier Sixty with the hope of scoring some tickets to Hamilton—yes, still—I was soon apprised that the bidding for them started at $4,000. I could dream on. This was a night for funny with Tina Fey feted, introduced by Andrea Martin, and with Dana Delany introducing Don Katz. Tina Fey’s posse included some funny women Carol Kane and Ellie Kemper. But first an incredible line up of actors including John Slattery and Jayne Houdyshell read vignettes to illustrate the magic of Audible.

Greta Gerwig’s Lady Bird: A Triumph of Mothers and Daughter

It was lovely to see Saoirse Ronan win the Best Actress Gotham Award for her role as “Lady Bird”/ Christine in Greta Gerwig’s debut film as a director. Especially so, because her mother, who lives in Ireland, was present at Cipriani Wall Street, and Gerwig initially titled the film, “Mothers and Daughters.” I saw the film for a second time at a recent screening at the Crosby Hotel hosted by Candice Bergen and Chloe Malle, mother and daughter. While Gerwig will admit the film hews close to some biographical detail, for example, that it is set in Sacramento, California, and she did in fact attend Catholic school, she veers off in many ways from her own story. Women of her age will surely identify with Ronan’s Lady Bird, her wrongheaded choices in boys, friends, habits like smoking, just about everything.

Call Me By Your Name: On Peaches and Paternity

Just announced, the movie Call Me By Your Name garnered six Independent Spirit Award nominations, more than any other film. On the same day, Andre Aciman and Luca Guadagnino, just back from Italy, spoke about the film at the New York Public Library at 42^nd Street.

“I hate the word adaptation,” said Andre Aciman, about, eh, the adaptation of his 2007 novel Call Me By Your Name by James Ivory for the new movie of that title, directed by Luca Guadagnino. Aciman addressed a crowded auditorium of fans at the Library: “They cut this and add that,” he explained, so authors complain, “but I could see that film can do things that cannot be done in a book.”

Spike Lee, Race in America, and the Virginia Film Festival in Charlottesville

“Brooklyn is in the house,” laughs Spike Lee from the stage of the Paramount during his conversation with Maurice Wallace, a high point of last weekend’s Virginia Film Festival. The security at the historic theater is something akin to that in airports, producing long lines for avid film lovers. Spike Lee, in an astute bit of festival programming, was invited to show his documentary, I Can’t Breathe, an interview with Ramsey Orta who took the cellphone footage of Eric Garner dying at the hands of Staten Island police, screened in a double bill with his 4 Little Girls (1997). Before making a quick turnaround, flying back to Brooklyn for the premiere of his Netflix series, “She’s Gotta Have It,” based on his movie, Lee announced his next project teaming up with Get Out director Jordan Peele to make Black Clansman, starring John David Washington, Denzel’s son in the title role, and Adam Driver as the white man who portrays him in the clan.

Errol Morris and Joe Berlinger at the 2nd Annual Critics’ Choice Documentary Awards

 “Every time you make a documentary,” said Errol Morris accepting a lifetime achievement award at the 2nd Annual Critics’ Choice Documentary Awards ceremony this week, “you get to reinvent the form. When I sold my series, Wormwood to Netflix, I sold it as the Everything Bagel..

Justin Timberlake in Wonder Wheel: NYFF’s Closing Night

In Wonder Wheel, Woody Allen’s latest movie, Justin Timberlake narrates this tale as Mickey, a drama student at NYU and lifeguard at Bay 7 in Coney Island. A cute guy, and a gentleman, he’s into romance, and falls in love with two women: first, a would-be actress, now a waitress at Ruby’s Clam House, Ginny (Kate Winslet) is older than Mickey and married to a recovering drinker (Jim Belushi), who runs a merry-go-round. They live in the shadow of the Wonder Wheel, with Ginny’s son Richie (Jack Gore) from her first marriage, a nice boy in the habit of setting fires. The second is Carolina (Juno Temple), ex-wife of a mobster and Humpty’s daughter, and just the right age for Mickey, except that she is marked; two thugs from the world of the Sopranos loom large in a black car (Tony Sirico and Steve Schirripa), look to take her out. That’s the set up for Woody’s familiar tropes on tragedy shot on the stunning tuttifruiti boardwalk and sand by the great Vittorio Storaro.

Goodbye Christopher Robin: A Festive Premiere at the New York Public Library

“The last time I cast a nine-year old boy,” said director Simon Curtis this week, “it was Daniel Radcliffe.” This time, for his new movie Goodbye Christopher Robin, about the making of the Winnie the Pooh books, Curtis was referring to the impossibly adorable dimpled Will Tilston who plays author A. A. Milne’s son. At the premiere this week at The New York Public Library, after screenings at last week’s Hamptons International Film Festival, Will, who never acted before and who has never been to New York before was feted along with Domhnall Gleeson who plays his father Alan, and Margot Robbie, his mother Daphne. Forget the grim and lonely childhood Christopher Robin suffered with these self-involved parents. Festooned with giant Pooh bears, the library’s first floor had the majesty and magic of The Hundred Acre Wood, but best of all, at center was a vitrine with the original stuffed animals, including the beloved Eeyore, Tanga, Piglet, and Tigger, part of the NYPL collection.