Gossip Central

Mystery in Montauk: The Untoward End of Peter Beard’s Wild Ride

The story of Peter Beard has a grim end: some 19 days after he disappeared, after search parties including helicopters had given up their trawling the rocky coast, the erstwhile adventurer has just turned up. Some thought he went into the sea, lunch meat for sharks, if there are such fish at these shores, but no: maybe he’d gone into some secret corner of the woods, and like beat poetry catalyst Neal Cassady, another legend, died of exposure. No body, no news. But now all that may change.

The Times retold an anecdote about Beard, that while working in the city, when he was told his house had gone up in flames, he just continued his work. What the Times failed to say, and what might merely be Montauk rumor, was that the house had been burnt down by workers, locals disgruntled that they had not been paid. Legends abound about such adventurers: some saw the house lifted off the nearest cliff by Sikorsky helicopter, moved to the most remote point, a piece of property jutting farther into the sea than the lighthouse. Montauk residents gathered outside the church in the early ‘80’s, when Beard married Cheryl Tiegs.

Remembering Hal Willner: Music Impresario and Literary Man

Back in the early 1980’s, Naked Lunch author William S. Burroughs grinned across the screen on Saturday Night Live, having just been introduced as the greatest living writer in America by supermodel Lauren Hutton. Usually writers don’t read from their work on television, but behind the scenes, Hal Willner made it happen. Willner, beloved music producer is best known for his work with musicians, but he was always literary, and he loved the Beat writers, and made recordings with Burroughs, Allen Ginsberg, Gregory Corso, and Robert Wilson, who had collaborated with Burroughs and Tom Waits on The Black Rider. When his longtime friend Lou Reed died, he produced the memorial event for him at the Apollo Theater in Harlem. Now it is Hal we will have to mourn: he died on April 7 at age 64.

Here is a glimpse of Hal Willner at work on one of his productions:

Remembering Bucky Pizzarelli at the Café Carlyle

Among the many joys of New York night life, and jazz performances in particular was hearing Bucky Pizzarelli on guitar alongside his son John’s quartet at the Café Carlyle. This week the elder Pizzarelli (94) succumbed to the coronavirus. Through the years, John was a regular at the Carlyle, and seven years ago, his father was still out there performing and trading one-liners with his son. Here is my review from April 10, 2013, entitled “John Pizzarelli Quartet (Plus One) at the Café Carlyle:”

This entertaining show may be billed as a jazz quartet, but as aficionados know, John Pizzarelli has a secret weapon: his dad. As he tells you, Bucky Pizzarelli, now 87 and seated beside him, has a long and distinguished career on guitar performing with Vaughn Monroe and other big bands of that era, but with his son John—and another son, Martin on bass—(that must be the family rebellion), the show at the Carlyle features smooth standards sprinkled with patter, as if son John, front man on guitar who also sings, needs to tell Bucky just where to come in.

Jesse Eisenberg in Resistance: Remembering Marcel Marceau as Holocaust Hero

One of the last great New York nights was the opening of The Girl from North Country on Broadway, nearly a month ago. Among the guests crowding into the Belasco was Jesse Eisenberg. By coincidence I had just that afternoon seen his latest film Resistance, and still recovering from the power of this Holocaust survival drama based on the true story of the world’s most famous mime, Marcel Marceau, I stopped him to applaud his performance as a rescuer of orphans during that brutal time. “Oh, was it okay?” he asked, having not yet seen it. “It meant a lot for me. My family came from Lublin.”

Because the movie is set in the South of France in Strasbourg, the chief Nazi villain is Klaus Barbie, known for outrageous cruelty, that is, the torture of his captives for pleasure. Dubbed “the Butcher of Lyons,” the movie’s merciless Barbie (Matthias Schweighofer), a handsome Aryan, descends upon a corps of homosexual Nazis on a night out. But that is just a taste of this true-life character, whose outsized violence escalates to barbaric heights in yet another scene, all the more horrible left to the imagination as Barbie describes what he will do to a captured young Resistance fighter. The memory of the terrified woman strapped into a doctor’s chair, her sister forced to watch, leaves a profound chill. It’s a moment of thrilling movie-making from writer/director Jonathan Jakubovicz.

Apropos of Nothing: Woody Allen’s View from the Top

Back in the day, I knew a journalist who had a crush on Woody Allen, and joined a club with others similarly besotted. Witty and smart, this bespectacled nerd made them laugh, and that was sexy. Cut to Woody Allen today, a man in his ‘80’s trying to clear his name. His new book, Apropos of Nothing, is already a scandal because one publishing house coup caused a cancellation, to another’s gain. Hachette employees walked out in protest, leaving the publication to Arcade/ Skyhorse. Chalk it up to a knee jerk conclusion of guilt in the #metoo moment: a relapse of Woody Allen’s continued battle in courts of public opinion on the case of his having abused his daughter Dylan. You know the story. It’s complicated. A family rift. A woman’s revenge. In Apropos of Nothing, he tells his side: logical, clear, bewildered that his reputation remains besmirched after much investigation, his work boycotted in the America that gave it birth. If that were all, you might not want to read Apropos of Nothing. On the other hand, one of our most unique filmmakers also tells tales of his life, loves, craft and Manhattan real estate, offering a laugh-out-loud penthouse perspective: Brooklyn boy rises to the top.

Terrence McNally Remembered

Inevitable that the current virus would claim the life of someone up close and personal. The pleasures of Terrence McNally’s work in theater have been a staple of New York’s Broadway and off experience for decades. In June 2019, I saw a revival of his Frankie and Johnny in the Clair de Lune, his writing a glorious vehicle for the talents of the actors Michael Shannon and Audra McDonald.

A bed sits center stage at the Broadhurst Theater, in a Hell’s Kitchen apartment from the 1980’s. As Terrence McNally’s Frankie and Johnny in the Clair de Lune opens, Michael Shannon as Johnny and Audra McDonald, Frankie, make passionate love. From the grunts and groans, it’s pretty good sex we are witnessing, and when Johnny turns over, applause breaks out at the sight of his bare rump. Bodies are not all that’s naked in this intimate two-hander: as these co-workers in a diner have this night together, they talk and peel back histories of hurt.

Remembering Andreas Brown at the Gotham Book Mart

On December 27, 2016, I posted a story about returning to the Gotham Book Mart site, reconfigured after the legendary literary hangout lost its lease. Its proprietor, Andreas Brown, a man wise to books, theater, and the theater of books, died this week at age 86. Among many discoveries, he was onto Jimmy Kimmel, telling me, he’s going to be a big star. With some tweaking, I am remembering here Andreas Brown and his place among diamonds.

“That’s our trouble,” said my friend Roger Friedman, “everything used to be something else.” I had just told him about meeting my brothers and their families for the third Chanukah candle, 13 relatives in all, at a glatt kosher restaurant called Taam Tov in the Diamond District, on the very site of the legendary Gotham Book Mart. On November 17, 1986, my book, Kerouac’s Spontaneous Poetics, one of the first full-scale studies on the iconic beat poet and novelist, was celebrated here. A sign, “Wise Men Fish Here,” marked the spot, a literary emporium on a bejeweled street. The James Joyce Society met here. Among many other book parties, a reissue of Junkie was feted here too, in 1977. Carl Solomon and Patti Smith attended, honoring William S. Burroughs’ work. Poet Allen Ginsberg, who had clerked here back in the day, snapped my picture.

A Quiet Place II: Shhhhhhh!

Introducing the next chapter to the hit horror movie, A Quiet Place, writer/director John Krasinski said he never wanted to make a sequel, and now he prefers the new one: “That’s for you to decide,” he said to the rapt audience at the Jazz at Lincoln Center’s Rose Hall premiere. Expect: the most successful franchise ever.

If you liked the first one, you will like A Quiet Place II. The crowd cheered wildly as the family, baby in arms, makes their way through a landscape emptied of people, besieged by grotesque creatures averse to sound. Because the filmmaking is superb, from story to direction, special effects to editing, the movie, as in the first, is riveting, reinventing the genre. You cannot look away from beginning to end at those faces: Emily Blunt as the every-mom turned action hero has her match in Millicent Simmonds, as the fiercely smart daughter who strategizes a route to survival. Simmonds who we first met on the set of Todd Haynes’ Wonderstruck, has grown up. Now 17, Simmonds is luminous, in the manner of silent movie stars of yore, and Krasinski takes full advantage. For this episode, Cillian Murphy joins in on the journey, meeting up with good guy Djimon Hounsou. Without revealing too much, there are boats involved.

The Plot Against America on HBO: Democracy at Risk

Showrunner David Simon took the stage at the 92^nd Street Y carrying a giant-sized bottle of Purell following a preview screening of the HBO miniseries, The Plot Against America, to air on March 16. Certainly, Coronavirus was on his mind, a point of concern, even paranoia, while he was promoting his program, famously a Philip Roth novel fearful about the future of democracy. Simon shared the stage with his actors Winona Ryder, Morgan Spector, and John Turturro. Why adapt this Roth novel now?

Girl From the North Country at the Belasco Theater: Dark Drama With Dylan’s Music

The musical, Girl From the North Country, newly landed on Broadway at the Belasco Theater after sellout runs in London and at the Public Theater, imagines what you can do if you match up a brilliant storyteller, Conor McPherson, with a brilliant songwriter, Bob Dylan. And that’s without either one of them having met, spoken, emailed, or tweeted with the other! How exactly does that collaboration create such exciting theater?