Gossip Central

Variety and The History Channel Host the Second Annual Salute to Service: Honoring Those Who Stand Up

“Thank you for your service is not enough,” said Montel Williams, a US Navy veteran, who also said, “I promised not to cry” as he accepted his award at the 2^nd annual Salute to Service luncheon hosted by Variety and The History Channel at Cipriani 25 Broadway. Ken Fisher, a friend who had accompanied Williams to Dover to meet with Gold Star families, introduced him as a “veteran’s veteran.” Having recently suffered a massive stroke, Williams showed up anyway, for veterans, and was teary-eyed reminding everyone to do more. They may be home, he said, but “their service is not over.”

The Price of Everything: Poons, Koons, and Balloons

“Contemporary art is a luxury brand,” declared HBO’s Richard Plepler, introducing Nathaniel Kahn’s excellent, entertaining documentary, The Price of Everything, at a posh premiere at MoMA last week. “And the artist is our last best hope.” These words were not lost on a crowd that included artists like George Condo, Marilyn Minter, Larry Poons and Jeff Koons, all featured in the film. In addition, museum curators, private collectors, and auction house personnel were all part of the mix celebrating a movie about a market that keeps its prices up. After all, “you can’t have a golden age without gold,” as someone wisely put it. All the while, the work created on camera, as some question what makes art art, or good art, seems to ignore the vagaries of commerce, allowing the money minded to thrive.

Free Solo: High at Lincoln Center

If any one can make the perilous professional sport of rock climbing sexy and glamorous, Jimmy Chin and Elizabeth Chai Vasarhelyi can. In Free Solo, their latest documentary (the couple made the extraordinary Meru), they turn their lens on renowned climber Alex Honnold, as he fulfills a dream, to climb El Capitan in Yosemite National Park. Of course he had done this before, utilizing all the tools of his trade including ropes, but now he wants to go it without. Needless to say, many have died attempting to climb without this support. To add to the drama, Alex is also in a relationship with Sanni. The charm of Free Solo is that the film goes into Alex’s personal, eccentricities, living in a van, eating with a spatula as his utensil of choice. He’s quite the barbarian, softened by a lovely blond who teaches him to say, I love you.

Jane Fonda in Five Acts: Hair Epiphanies and Other Revelations

Despite a long and distinguished career making film portraits as creator of PBS’ American Masters series, Susan Lacy will not just do anyone. She proclaimed at a Q&A with Alec Baldwin at a Hamptons International Film Festival pre-screening of her HBO documentary, Jane Fonda in Five Acts, she would not make a film about someone she does not like, “like someone who I want to get out of the White House.” “I really understand,” replied Baldwin, scrunching up into his best Trump face. “I really, really do.”

Reflecting on her PBS time, recounting the genesis of American Masters, Lacy spoke about her certainty that stories on culture-shifting figures such as James Baldwin, Joni Mitchell, Judy Garland, and her favorite, Leonard Bernstein, were inherently dramatic, often geniuses fighting against cultural mores, or their own demons. That was a difficult sell, but she prevailed. Now making films for HBO, like last year’s superb Spielberg, she does not have to raise the money. HBO just asks, what’s your budget?

The Oslo Diaries on HBO

Peace in the Middle East feels like a mirage, a glimmering haze on a distant desert horizon. But in 1992, key figures from Israel and the PLO came together in a neutral place in Norway armed only with hope to frame a peace agreement on the fragile and beleaguered strip of land that is called Israel. Last year a hit play at Lincoln Center dramatized their dialogue of peace. And now, timed with the September 13 anniversary of the Oslo Accords, and the Jewish New Year, a new documentary, The Oslo Diaries, airs on HBO. For filmmakers Mor Loushy and Daniel Sivan, residents of Tel Aviv, in historic Rabin Square, with their two children, the story of the Oslo Accords is personal. They add to the existing record with diaries and fresh interviews with the men from Israel, Jewish and Palestinian leaders, who met for 1,000 days, recognizing one another’s right to exist, forging strong bonds, waging the terms of peace, and watching them turn to dust. Last week I had the opportunity to speak to the filmmakers: is the hope of peace kaput forever?

Patricia Clarkson’s Grand Hauteur in The Bookshop

Patricia Clarkson is getting used to playing villains. If you’ve been watching Sharp Objects, the HBO thriller in 8-parts that will have its final episode this coming Sunday, you’ve seen this actress from New Orleans at her sinister best, a matriarch called Adora who is anything but adorable; her name alone exudes irony. Clarkson wears her bad side with high hauteur, an elegance and beauty that goes icy as human emotions draw near: it is impossible to turn away from her. In a new movie, The Bookshop, a lovely take by Isabel Coixet on Penelope Fitzgerald’s novel, starring Emily Mortimer, Clarkson continues in craven glamor. Bill Nighy’s character calls her behavior regarding the takeover of a bookstore repulsive. Clarkson says her acting strategy for playing hideous is to channel Glinda, the Good Witch.

Aretha Franklin: Accessorizing the Queen

As the tributes to Aretha Franklin’s extraordinary career and legacy attest to the number of people she touched, and her incredible song list awakens our memories of decades of indelible music, it is good to remember her as a natural woman. Not only because she sang the song Carole King and Gerry Goffin wrote for her, but because she was a stealth warrior as a feminist, whether or not she cared about that term. Old school, no nonsense. No #MeToo for her, and you know she had stories.

Robin Williams: Come Inside My Mind to Air on HBO

Comedian/ actor Robin Williams was so beloved, his suicide four years ago at age 63 came as a shock to almost all who knew him. In a new HBO documentary, Robin Williams: Come Inside My Mind, close friend, Billy Crystal recounts the last time he saw Williams he was in tears, and when Crystal asked why, is everything all right, Williams just said it was because he loved him so much; Crystal did not know this was a poignant moment close to the end. Marina Zenovich’s film, which had a special screening this week at SAG-AFTRA Foundation Robin Williams Center, weighs in on the side of a Parkinson’s disease diagnosis as the cause. Still, she makes good points for other contributing factors as she limns the changing times and his alienation. Much as you wish you could, you do not, in the end of this entertaining and insightful film, come inside his mind.

Remembering Anthony Bourdain

The irreverence of Anthony Bourdain’s CNN series, “Parts Unknown” always struck me as a sign that behind this foodie’s yen for travel and exotic eats was a beat soul. One segment had him on an island off Italy fighting with the fishermen. In Tangier, a city I know well, he found the funkiest place to shoot a crackerjack Moroccan feast. His programs did not feel over-produced. He allowed for the mayhem of spontaneity. And I loved that.

Why Mister Rogers Matters: Won’t You Be My Neighbor? Premieres

My kids weren’t interested in the nerdy television personality of Fred Rogers when they were growing up, maybe because, as the Academy Award winning documentarian Morgan Neville put it, introducing his new movie, Won’t You Be My Neighbor? at a special screening at MoMA this week, as a cultural figure, he was a two-dimensional. That’s an odd way to describe this former Protestant minister and gifted composer from Pittsburgh. Recognizing television as the ultimate pulpit, Fred Rogers was so committed to the emotional lives of children that he created an imaginary world, a Neighborhood of Make-Believe, for them and encouraged them to just be themselves. When Neville made his documentary about Yo Yo Ma, he was struck by the cellist’s friendship with Fred Rogers. Born in 1967, Neville was the right demographic to remember and admire the man who entered the room, removing a formal jacket, and putting on a comfy cardigan on television beginning in 1968. And now, with this treasure of a film, we can all appreciate just how radical his vision was.