Gossip Central

Woman’s Day Red Dress Awards: Seeing Red on Heart Disease

“I see a sea of red,” became the cliché of the night at Lincoln Center’s Appel Room for the Woman’s Day Red Dress Awards. Indeed, red was encouraged for stars on the red carpet, Angela Bassett, Susan Lucci, and everyone else, and it seemed a giant homage to Valentine’s Day and the Chinese Lunar New Year celebration all wrapped in one. But the unifying image was the heart, meaning heart health for women. Lucci, the queen of soap operas, told a story of being the picture of health and suddenly feeling pressure in her chest in October, averting a heart attack. Bassett, the queenly Ramonda in Black Panther, lost her mother in 2014 to heart disease. She wanted to create awareness for the link between Type 2 Diabetes and heart disease. Each speaker, and including doctors Dr. Sharon Hays and Mary N. Walsh, had a message: these episodes are preventable.

Song of Parkland: Surviving the Valentine’s Day Massacre

When we ran into Melody Herzfeld at the Tony Awards, she seemed stunned at the place history had taken her. This week at a special screening of Song of Parkland, an HBO documentary directed by Amy Schatz, she had her Tony Award by her side, still stunned, and feeling guilty. She would have preferred a prize for merit, she said. Instead she was honored for her heroism in a tragedy, coolly ushering 65 students into a back storeroom closet for two hours as a gunman murdered 17 at the Marjory Stoneman Douglas High School in Parkland, Florida where she taught drama. At HBO, dozens of her former students attested to her epic qualities as a teacher. While she was not falsely modest, part of her charm is a self-effacing humor worthy of Joan Rivers. Then again, as she told us at the Tony’s, she was from these parts, from New Jersey.

Breslin and Hamill: Deadline Artists on HBO: Virile Prose and the Value of Truth

There aren’t any more Breslins or Hamills, exemplars of a masculine New York postwar street journalism. Now these superstars of newsroom culture star in a state of the art documentary, Breslin and Hamill: Deadline Artists, to air this week on HBO. At a star-studded premiere at the Time Warner Center with dinner at Porterhouse, they were celebrated in high style—Jimmy Breslin died in 2017, and a frail Pete Hamill could not attend-- even as the world they brought to life feels like a near forgotten memory of a bygone era.

Season Two of The Marvelous Mrs. Maisel Premieres: Nostalgia in Pink

Spoiler alert: At Season Two’s start of The Marvelous Mrs. Maisel, Mrs. Maisel’s marriage is still in turmoil. Everyone glued to this thoroughly entertaining Amazon Prime series is familiar with the domestic impasse, a source of angst for the couple, and humor for everyone else. Why can’t two people deeply in love be together?

As episode 1 of The Marvelous Mrs. Maisel opens, our heroine, the divine Rachel Brosnahan, forced to take odd jobs, answers phones at one of those switchboards, moving about on a swivel chair. Think Judy Holliday in Bells Are Ringing. And then she is summoned home. Before you can say Ooh La La, our Midge is in Paris with her dad, the amazing Tony Shaloub, for some perfectly pitched father-daughter banter, and neither one knows French. Ever resourceful, Midge manages to do her act even there, finding an expat New Yorker at a drag show to translate her weepy story of failed marriage. Get ready to sob in hysteria.

Variety and The History Channel Host the Second Annual Salute to Service: Honoring Those Who Stand Up

“Thank you for your service is not enough,” said Montel Williams, a US Navy veteran, who also said, “I promised not to cry” as he accepted his award at the 2^nd annual Salute to Service luncheon hosted by Variety and The History Channel at Cipriani 25 Broadway. Ken Fisher, a friend who had accompanied Williams to Dover to meet with Gold Star families, introduced him as a “veteran’s veteran.” Having recently suffered a massive stroke, Williams showed up anyway, for veterans, and was teary-eyed reminding everyone to do more. They may be home, he said, but “their service is not over.”

The Price of Everything: Poons, Koons, and Balloons

“Contemporary art is a luxury brand,” declared HBO’s Richard Plepler, introducing Nathaniel Kahn’s excellent, entertaining documentary, The Price of Everything, at a posh premiere at MoMA last week. “And the artist is our last best hope.” These words were not lost on a crowd that included artists like George Condo, Marilyn Minter, Larry Poons and Jeff Koons, all featured in the film. In addition, museum curators, private collectors, and auction house personnel were all part of the mix celebrating a movie about a market that keeps its prices up. After all, “you can’t have a golden age without gold,” as someone wisely put it. All the while, the work created on camera, as some question what makes art art, or good art, seems to ignore the vagaries of commerce, allowing the money minded to thrive.

Free Solo: High at Lincoln Center

If any one can make the perilous professional sport of rock climbing sexy and glamorous, Jimmy Chin and Elizabeth Chai Vasarhelyi can. In Free Solo, their latest documentary (the couple made the extraordinary Meru), they turn their lens on renowned climber Alex Honnold, as he fulfills a dream, to climb El Capitan in Yosemite National Park. Of course he had done this before, utilizing all the tools of his trade including ropes, but now he wants to go it without. Needless to say, many have died attempting to climb without this support. To add to the drama, Alex is also in a relationship with Sanni. The charm of Free Solo is that the film goes into Alex’s personal, eccentricities, living in a van, eating with a spatula as his utensil of choice. He’s quite the barbarian, softened by a lovely blond who teaches him to say, I love you.

Jane Fonda in Five Acts: Hair Epiphanies and Other Revelations

Despite a long and distinguished career making film portraits as creator of PBS’ American Masters series, Susan Lacy will not just do anyone. She proclaimed at a Q&A with Alec Baldwin at a Hamptons International Film Festival pre-screening of her HBO documentary, Jane Fonda in Five Acts, she would not make a film about someone she does not like, “like someone who I want to get out of the White House.” “I really understand,” replied Baldwin, scrunching up into his best Trump face. “I really, really do.”

Reflecting on her PBS time, recounting the genesis of American Masters, Lacy spoke about her certainty that stories on culture-shifting figures such as James Baldwin, Joni Mitchell, Judy Garland, and her favorite, Leonard Bernstein, were inherently dramatic, often geniuses fighting against cultural mores, or their own demons. That was a difficult sell, but she prevailed. Now making films for HBO, like last year’s superb Spielberg, she does not have to raise the money. HBO just asks, what’s your budget?

The Oslo Diaries on HBO

Peace in the Middle East feels like a mirage, a glimmering haze on a distant desert horizon. But in 1992, key figures from Israel and the PLO came together in a neutral place in Norway armed only with hope to frame a peace agreement on the fragile and beleaguered strip of land that is called Israel. Last year a hit play at Lincoln Center dramatized their dialogue of peace. And now, timed with the September 13 anniversary of the Oslo Accords, and the Jewish New Year, a new documentary, The Oslo Diaries, airs on HBO. For filmmakers Mor Loushy and Daniel Sivan, residents of Tel Aviv, in historic Rabin Square, with their two children, the story of the Oslo Accords is personal. They add to the existing record with diaries and fresh interviews with the men from Israel, Jewish and Palestinian leaders, who met for 1,000 days, recognizing one another’s right to exist, forging strong bonds, waging the terms of peace, and watching them turn to dust. Last week I had the opportunity to speak to the filmmakers: is the hope of peace kaput forever?

Patricia Clarkson’s Grand Hauteur in The Bookshop

Patricia Clarkson is getting used to playing villains. If you’ve been watching Sharp Objects, the HBO thriller in 8-parts that will have its final episode this coming Sunday, you’ve seen this actress from New Orleans at her sinister best, a matriarch called Adora who is anything but adorable; her name alone exudes irony. Clarkson wears her bad side with high hauteur, an elegance and beauty that goes icy as human emotions draw near: it is impossible to turn away from her. In a new movie, The Bookshop, a lovely take by Isabel Coixet on Penelope Fitzgerald’s novel, starring Emily Mortimer, Clarkson continues in craven glamor. Bill Nighy’s character calls her behavior regarding the takeover of a bookstore repulsive. Clarkson says her acting strategy for playing hideous is to channel Glinda, the Good Witch.